I wonder if they sleep better here
so close to the elemental pentameter
of the sea which comes in incessantly?
Just a few square acres of sand
studded mainly with thick posts
as if the coffins beneath were boats
tied fast to prevent further drift.
I half stumble around one pre-dawn,
just a dog following the footprints
of another dog with me, and stop
before one particular grave: a cross
inlaid with large splinters of mirror.
Whoever lies here is distinguished
Certainly, but I wonder—why mirrors?
For signaling? Who? No, they’re embedded
in the stone and so can’t be flicked
to reflect the sun or moonlight.
Is the sleeper here unusually vain
and the glass set of the times of dark
ascensions—to smooth the death gown,
to apply a little lipstick to the white
worms of the lips? No again. I think
they’re for me and the ones who come
like me at this hour, in this half-light.
The ones who come half-drunk, half-wild
and wholly in fear—so we may gaze
into the ghosts of our own faces
and be touched by this chill of all
chills,--and then go home, alive,
to sleep the sleep of the awake.
--Thomas Lux
Not exactly holiday fare—or is it…? (this is one of those poems that I feel more than understand, though the richness of the metaphors--disturbing as they are--also gives me plenty to think about it)